Posted by:
ducky333
(
)
Date: December 30, 2012 01:28PM
Javert is the single saddest, most tragic character to me in Les Mis, because he is so single-minded in his belief that he's right that he fails to see how he's sinking. Born in the gutter and having spent much of his time in the bagne, like ValJean (but for entirely different reasons, as a guard or warder), he never fails to see that he's headed back to the gutter by his own hand. His parents are both criminals, thus he must rise above what they've done (much like a brother-in-law of mine whose father never learned to write, thus he spent years working and working on multiple degrees to escape that legacy). Everything Javert does is applied by the narrowness of law--of justice without mercy. He sees everything in abstraction, always a dangerous way of looking at life, because one never knows then how to put actual ideas into practice. He finds the young men and their silly barricade as just so much noise, even after they, and even young children, are slaughtered. He has a hand in Fantine's death when he accepts thily-veiled excuses for her arrest (and illness in prison)--little does he care as he sees her as a prostitute (as does ValJean by doing nothing when he's mayor, but, o/c, years atones with his promise to her on her deathbed to save Cosette).
But Javert isn't without principle; it's that he sees nothing but the rigid application of law--which "is not mocked," as he sings (the law as sacrosanct)--as the only way to rise out of one's circumstances. That's why, to me, he and ValJean are the two most fascinating characters in the novel. They are not polar opposites as many people erroneously claim; Javert is not a horrible man. He's a very sad man who realizes his mistakes far too late to change what he's allowed to happen and how he's failed his fellowman. When he could have lived and given much back, he simply cannot forgive ValJean for saving his life and cannot forgive himself. It's tragic stuff, indeed.
He's a character much like Hawthorne's young Goodman Browne, Melville's Captain Ahab, or any number of characters out of Faulkner, Warren, Styron, Woolf, etc.
And yes, you're right--that's the failing a lot of us have in and out of the church--we can spout a lot of abstractions, but really truly putting ideas like love, integrity, charity etc. into action is something else altogether.
Of course, the Thenardiers are absolute, filthy abusers--I'm stunned that they were used as comic relief in the film version, because, of course, they are meant to be the kind of debauched users who turn up like cockroaches when nothing else is left. Besides abusing Cosette and selling her for money, they also affect Eponine, who must atone for her cruelty to Cosette, begun when they were children, completely alone, when she dearly wants to be with Marius (who is the only dullard in the piece, imo).
The couple was used with great effect on the stage--and because, of course, there are so few moments of any type, comic or otherwise, that it's easy to see why they were used as comic relief. A colleague of mine--who went with me to take a bus load of French students to see the play out of town--despised the play version because they had made jesters out of child abusers.
Edited 2 time(s). Last edit at 12/30/2012 01:32PM by ducky333.